Nightjar wrote:

Slagging off Regan.

But not Carter.

Typical leftoid.

SiberianPrincess’sMidriff wrote:

Nightjar wrote:

Cultural appropriation.

Eh?

I don't think he realises where you might be originally from.

Nightjar wrote:

The Call of the Wendigo wrote:

Famous chord sequence but I'm not sure where it's famously from.

It too recognise it from something.

It's, not for the first time, a bit Bovvie-esque.

It's quite The The, on reflection.

Butterfield wrote:

SiberianPrincess’sMidriff wrote:

Nightjar wrote:

Cultural appropriation.

Eh?

I don't think he realises where you might be originally from.

Last track - Vigilante.

Deffo going Compass Point-era Grace now.

Synth bass.

I bet that was the last track on the LP, and they'll be a filler one to end on.

Is this about Dirty Harold?

Slightly ahead of the late 80s trend for pop-music, possibly.

It has a decent melody to it, this.

It is over.

It had one or two moments of interest but, overall, wasn't an inspiring listen.

Now to look back at the thread and see what everybody else made of it.

I shall give it 2 stars.

Finished.

Well, that was entertaining enough.

Some ecclecticism and plenty of pretentiousness all bound up in an agglutinate of '80s production.

But, nonetheless, still entertaining.

Just enough.

Still wouldn't have a copy of it the house though.

I thought that was really, really good - other than the cover of School's Out - which perhaps should have been left out. I like "normal" Toyah" stuff and her typical quirky vocals and lyrics, but the synth (and string) production just made it all so much better!

4.5/5

Rounded up to 5/5 for voting!