Here's where Kimothy's career hit back with a vengeance, as, not only did it produce major hit singles in Britain but the album also gave her an American Number One and allowed her to achieve every singer's ambition of working with Junior Giscombe.

Quote :

Track listing

Side one

"You Keep Me Hangin' On" (Holland-Dozier-Holland)
"Hit Him" (O.S. Blandamer)
"Another Step (Closer to You)" (Kim Wilde, Steve Byrd)
"The Thrill of It" (Kim Wilde, Steve Byrd)
"I've Got So Much Love" (Kim Wilde, Marty Wilde, Ricky Wilde)
"Victim" (Kim Wilde, Marty Wilde, Ricky Wilde)
"Schoolgirl" (Kim Wilde, Marty Wilde, Ricky Wilde)

Side two

"Say You Really Want Me" (Danny Sembello, Donnell Spencer, Jr., Richard Rudolph)
"She Hasn't Got Time for You" (Kim Wilde, Marty Wilde, Ricky Wilde)
"Brothers" (Marty Wilde, Ricky Wilde)
"Missing" (Kim Wilde, Steve Byrd)
"How Do You Want My Love" (Kim Wilde, Ricky Wilde)
"Don't Say Nothing's Changed" (Kim Wilde)

https://en.wikipedia.org/wiki/Another_Step

https://www.youtube.com/watch?v=xJZF-skCY-M&list=OLAK5uy_n4J82KclTlZtEB6k6avBhtmVfHh_zTZIU&index=2&t=0s

8:40 tonight, unless people have objections.

Doo it!

It's started!

Track 1 - You Keep Me Hangin' On.

I'm in!

Video.

Still sounds early 80s.

80s production suddenly kicks in.

She's not quite as blocked sounding.


Oh, there's the mid 80s sound.

The 1980s production sound is entirely the fault of Trevor Horn, isn't it?

'80s to the max.

Wind machine.

The thing I've noticed about Kim is she's very good at major syncopation.

The Motown melodic structure only works with the '80s production on the chorus.

Erasure style keyboard bit.

It's a little bit SAW, but it's no Sonja.

Hands.

That's a horrible snare sound.

Nightjar wrote:

'80s to the max.

TO THE EXTREME!!