Kenny Rogers chord memories.

This is all too laborious.

Track 9 - You Are My Love.

There's a sense of de j'au fait with these songs, but the song-writing craft is undeniable.

Saxophone epicness.

This album is as naff as it is brilliant.

I'm assuming this one was planned to be a single.

The singles on this don't sound like the rest of the album, in terms of production.

Last track - Our Day Will Come.

This one even has a go at being total cr*p, but there are so many exciting chord/key changes and tempo modulations it belies its obvious banality.

Is this a cover? It sounds familiar.

This is an actual cover version.

Lovely.

The Call of the Wendigo wrote:

Is this a cover?

Yes it is. That explains why it's more subtle, and lighter on its feet than the other tracks.

This is gorgeous.

https://en.wikipedia.org/wiki/Our_Day_Will_Come

Pop perfection.

God bless us.

We are gentle people.

I love you all.

I bet StevieBorkleZ is listening to "My C*ck's On Fire" by Whitehouse as we speak.

Or "Buyer's Market" by Peter Sotos.

It is over.

I feel I'd need to give it  a second listen before formulating a clear opinion on it, as I was somewhat overwhelmed by the sheer Bee Geesness of it. It seemed competent enough but also felt like it was designed to be listened to while sipping cocktails with cherries in them. I did feel it was an album that lacked a sense of space, with every track feeling very full.

The singles were definitely the highlights of the album.

Now to look back at the thread and see what everyone else made of it.

Nightjar wrote:

I bet StevieBorkleZ is listening to "My C*ck's On Fire" by Whitehouse as we speak.

I've got a copy of that.