I am impressed by how every tune on this album sounds familiar from somewhere else. It should annoy me but, somehow, it makes me feel strangely comforted.

Complicated vocal line.

Relatively.

Oh noes.

The voice has settled into its usual white noise zone.

Synthetic sounding as well.

The tune is OK.

"Frustrations, sensations, fascinations."

Her voice is threatening to tip dangerously into atonal Florence and her Amazing Fantabulous Machine territory.

Track 10 - Reflections Are Protection.

OK, I'll just say it.

I cannot stand her voice.

Chords are very familiar.

It's all so much much better when the songs slow down and have more of a conspicuous bassline.

It's like the bass drags her down to earth and she starts sounding almost soulful.

The Call of the Wendigo wrote:

Chords are very familiar.

I think it's from one of the underwater levels in Supermario bros. 3.

The rhyming on this album is somewhat remedial.

Track 11 - Armour Love.

Slow one to (semi-finish) on.

Is this supposed to be a pun on "Harmour Love"?

Something for the Laydees

She's actually singing well.

"The eleventh song from La Roux's debut self titled album. (Note: the original version is nearly 6 minutes long, but the last 2 minutes are just blank, as in NOTHING plays. So to save your time and my time I just cut off the last two mintues (sic) in Movie Maker.)"

Nightjar wrote:

Is this supposed to be a pun on "Harmour Love"?

Amour Love?