This one feels quite long.

In fact, it feels very long.

I quite like the bubbly bass line, but it seems unfinished, or worked on for too long. One or the other. Possibly both.

A more interesting tempo at least.

Track 6 - Otherside.

T'Otherside.

Her voice seems to have very little octaval range.

I don't know whether it's just this record of course, but there's a profound shallowness to the whole affair.

The musicianship on this album feels very workmanlike. There's a definite lack of groove to most of the tracks.

Every time her vocals come in it's like the same vocals off of the last track.

Nightjar wrote:

Her voice seems to have very little octaval range.

I don't know whether it's just this record of course, but there's a profound shallowness to the whole affair.

She had a certain shrill charm on the first album.

Also, vocally, she's no Tina Charles.

There are the same harmonic stylings on virtually track.

Was everyone on the mogadons when they turned up at the studio.

This is so so boring.

Seriously, I'm not trying to be antagonistic.

Track 7 - He Rides.

I think it was only her and her machines in her house. No real musicians playing real musical instruments on real music.

What are the reviews for it like?

Professional ratings
Aggregate scores
Source Rating
AnyDecentMusic? 5.8/10[12]
Metacritic 64/100[13]
Review scores
Source Rating
Clash Music 6/10[14]
DIY 3/5 stars[15]
Evening Standard 2/5 stars[16]
Financial Times 4/5 stars[17]
The Guardian 4/5 stars[18]
The Independent 3/5 stars[19]
Loud and Quiet 7/10[20]
The Times 4/5 stars[21]

The Call of the Wendigo wrote:

Track 7 - He Rides.

Why are you always ahead of me!

This has started quite drearily.

Every track on this album starts exactly the same way. Nothing has an intro. The backing track just starts playing until she comes in.