The harmonies are so much clearer.

You can hear that Lennon's vocals have been speeded up slightly on She's Leaving Home.

Ringo's drum roll really leaps out at you in Mr Kite.

The chaotic melange in Mr Kite has so much depth to it. It sounds like it extends forever to both the left and right of you.

The laughter came in quite jarringly in Within You, Without You.

Here's the real test. Can they make When I'm 64 sound good?

Funny little percussive things when the chimes come in.

The clarinet sounds cheeky.

More funny little percussive happenings.

Ringo's drumming is very powerful on Good Morning, Good Morning.

The Sgt Pepper's reprise sounds very different. It sounds far more Scouse.

And you can hear Macca shouting things in its closing moments.

Horns are more noticeable in the first miasmic crescendo in A Day in the Life.

Finishing off with the loop at the end.

That was mega-awesome. Way better than my old cassette copy and my old 1970s LP version. Well done to all concerned.

The Call of the Wendigo wrote:

The Sgt Pepper's reprise sounds very different. It sounds far more Scouse.

And you can hear Macca shouting things in its closing moments.

Isn't that where he shouts rude words, or was that Hey Judea?

That's Hey Jude.

Oh.

The Call of the Wendigo wrote:

That was mega-awesome. Way better than my old cassette copy and my old 1970s LP version. Well done to all concerned.

On the 3 minutes of it I actually listen to it did sound megagüd.  The paned the left vocal seemed to be coming from about 5 inches further left than where the speaker actually was.

Must have used some form of Witchcraft in its production.