Continued from here: http://hallofthewendigo.informe.com/forum/post182946.html

This Brother Beyond track doesn't feature any key changes that could be called epic but it does seem to feature an awful lot of them. I reckon it starts in one key then jumps up a key and then drops down a key again, all before the vocals even come in. It then changes key sideways ( ) halfway through the verse and then, towards the end of the verse, jumps up a key, ready to go into the chorus before dropping down a key to go back into the verse. And to think Howard Goodall was impressed by Penny Lane changing key seven times in total. This one manages that before it's even halfway through.

That's for chord changes. This is for key changes.

Muso rubbish.

As recommended by Rick Beato, let's treat ourselves to the convoluted key changes of
Never Gonna Let You Go by Sergio Mendes.

One the most audacious key/chord changes ever dared!

2:15 and on...