Track 5 - Spotlight.

Handclaps.

This is the drummer!

Quote :

Forsey began his career as a percussionist in the mid-late 1960s as the drummer for The Spectrum and as the drummer in Udo Lindenberg's Panik Orchester until 1976, during which he also played percussion for Amon Düül II.

By late 1970s, he was a pioneer of disco, working with artists such as Lipstique, Claudja Barry, La Bionda, the Italo Disco Inventors and Boney M.

He became Giorgio Moroder's drummer and played on Donna Summer's club records, including Bad Girls. However Forsey's own band, Trax, a collaboration with Pete Bellotte, was not as popular.

Forsey was influenced by Moroder and began experimenting with electronics and European dance rhythms.

https://en.wikipedia.org/wiki/Keith_Forsey

This is just relentless innit

The keyboard player is called Thor Baldursson.

Pathetic backing vocals.

Track - Street Boogie.

Street Boogie on Boogie Street.

This is the best track, so far.

The Call of the Wendigo wrote:

Track  - Street Boogie.

A damning indictment of government cuts on the local council's budget.

Mention of Radio.

Feeble attempt to get it played it on the radio.

Again, Elton delivers a feeble chorus.

Last track - Victim of Love.

Full Moroder.

Title track, must be a good one.

Guest‎‎‏‏‎ ‎ wrote:

Feeble attempt to get it played it on the radio.

Nightjar wrote:

Again, Elton delivers a feeble chorus.

Coincidence, or something altogether more sinister?

I fell into your Love Trap .