The Band - Music From Big Pink (1968)
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The New Hall of the Wendigo :: Arts and Entertainment :: StevieBachyButtonBaby's World of Music :: The Parlour of They Whose Race Is Run
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Big Pink or Big Stink?
Re: The Band - Music From Big Pink (1968)
Is that keyboard a Clavinet?
If so, I don't think anyone else ever played it like that ever.
If so, I don't think anyone else ever played it like that ever.
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Re: The Band - Music From Big Pink (1968)
Burt Kwouk in Danger Man!
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Re: The Band - Music From Big Pink (1968)
Full on Bob Dylon ending.
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Re: The Band - Music From Big Pink (1968)
This is Bob Dylan's rip-off of Fairport Convention's "Meet on teh Ledge".
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Re: The Band - Music From Big Pink (1968)
It is over.
It was an accomplished album but they weren't the liveliest band in the world and the songs were of varying levels of interest.
Now to look back at the thread and see what everybody else made of it.
It was an accomplished album but they weren't the liveliest band in the world and the songs were of varying levels of interest.
Now to look back at the thread and see what everybody else made of it.
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Re: The Band - Music From Big Pink (1968)
Well, it's better than The Band.
However, despite their wall-to-wall critical acclaim and adoration I've always found them always falling a fair way short of greatness.
I believe that the greatness is in fact there, but that there's a lack of a leader in the band to make executive decisions about what works and doesn't and who should be taking the lead when it's right.
Ultimately, too much faffing about with tempo and structural changes and smoke-and-mirrors nonsense that doesn't play to the various band m*mbers' ultimate strengths.
For example, Richard Manuel's strained, pained vocals are used way too much (on this album) whereas they work better on the occasional track, yet Levon Helm - with his instantly likeable, rich and soulful timbres - is grievously under-utilised on this album as a singer.
Anyway, what do I know...
However, despite their wall-to-wall critical acclaim and adoration I've always found them always falling a fair way short of greatness.
I believe that the greatness is in fact there, but that there's a lack of a leader in the band to make executive decisions about what works and doesn't and who should be taking the lead when it's right.
Ultimately, too much faffing about with tempo and structural changes and smoke-and-mirrors nonsense that doesn't play to the various band m*mbers' ultimate strengths.
For example, Richard Manuel's strained, pained vocals are used way too much (on this album) whereas they work better on the occasional track, yet Levon Helm - with his instantly likeable, rich and soulful timbres - is grievously under-utilised on this album as a singer.
Anyway, what do I know...
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The New Hall of the Wendigo :: Arts and Entertainment :: StevieBachyButtonBaby's World of Music :: The Parlour of They Whose Race Is Run
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